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Sibghatullah Siddiqui's studio — Lahore, Pakistan
The Studio

The Lahore Atelier

“A studio is not a workspace. It is a sanctuary — a place set apart from the world, where the ordinary becomes sacred.”

— Sibghatullah Siddiqui
The Process

How a Work Comes to Life

01

Preparation

Every work begins not with the brush but with a period of prayer and contemplation. The artist sets aside time to enter the right spiritual state before approaching the canvas.

02

Composition

No sketches. No underdrawing. Siddiqui works directly on the canvas — the letterforms emerge from a lifetime of practice, guided by instinct and devotion.

03

Completion

The work is complete when the artist knows it is. Not when every corner is filled, but when the spirit has spoken. Some works take hours; others return to the easel over weeks.

Materials

The Tools of Devotion

Siddiqui works primarily with oil and acrylic on stretched canvas, building rich, textured surfaces that give the calligraphy its characteristic depth. The same Arabic script rendered in oil has a completely different presence to acrylic — one is warm and weighted, the other luminous and immediate.

Primary Medium
Oil on Canvas
Also Works In
Acrylic, Mixed Media
Canvas Type
Stretched Linen & Cotton
Scale Range
20cm — 150cm+
Sibghatullah Siddiqui at work

Commission a Work

Bring a piece of this practice into your home or institution. Siddiqui accepts a small number of commissions each year.

Begin a Commission